BJ Leiderman's debut recording featured on Punto Radio

BJ Leiderman's music has been heard on many public radio stations across the country, for many years now. Leiderman is the award-winning composer of some of the best-known theme music on National Public Radio. For almost four decades, his melodies have graced programs including Morning Edition, Weekend Edition, Marketplace, Science Friday, Wait, Wait, Don't Tell Me!, and the Stump The Chumps theme from Car Talk. BJ's debut CD is cryptically titled - BJ, produced by Eric Sarafin a.k.a. Mixerman, and backed by the incomparable Athens, Georgia-based Randall Bramblett Band. The culmination of three decades of writing and production, the 15 tracks span a wide range from songs from the perspective of BJ's dog, voicemail recordings from his mother, sacrilegious gospel and more. Even a guest appearance by the one and only Béla Fleck on banjo. Punto Radio's BLUES FIRES is featuring - BJ. SEE THE PAGE
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For Blade Runner 2049, Johann Johannsson's score pays homage to Vangelis' original / POP DUST

A new trailer for " Blade Runner 2049" has dropped over 2 months after the first preview was released. "Good Morning America" debuted the extended look at the long-awaited sequel Monday morning. While the first trailer introduced us to Ryan Gosling's character, LAPD Blade Runner, Officer K, this new clip reveals more about Harrison Ford's character, who says that he and his fellow Blade Runners were being hunted. Previews haven't focused on Decker thus far because it's rumored Ford doesn't appear until the last third of the movie p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial; min-height: 11.0px} The cinematography is just as visually exotic as past previews, but featured more of Johann Johannsson's synthesizer-induced score that pays homage to Vangelis' original score for 1982's Blade Runner. The first film was characterized so much by it's sounds scape as well as every frame treated as if a photograph on a gallery wall. Johannsson has said his work on the movie was "an enormous challenge of mythical proportion." READ THE FULL POP DUST ARTICLE & WATCH THE VIDEO
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One year in, the Branford Marsalis - Kurt Elling partnership flourishes / Financial Times

When Branford Marsalis invited Kurt Elling to record the album Upward Spiral with his long-running quartet, he gained a front-line partner as well as a charismatic vocal lead. Elling doesn't just interpret a song, he inhabits it, drawing out its character through phrasing, note choice and tone. As the CD also proved, he is an ideal foil for the trenchant lyricism of the saxophonist's aesthetic. One year on, and the partnership flourishes. At this long, single-set performance at the barcian - London, vocals intertwined with sax, mood-soaked harmonies were bittersweet and solos dug in, veered off at angles and stopped on the point of a pin. READ THE FULL Financial Times REVIEW p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial; min-height: 11.0px} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial} span.Apple-tab-span {white-space:pre}
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Proms 2017 - Staatskapelle has few peers among European bands today / theguardian

Both of the Staatskapelle's concerts were a reminder that it has few peers among European bands today. The Elgar symphonies – the First preceded by Sibelius's Violin Concerto, with Lisa Batiashvili as the fabulously agile, intense soloist, the Second following the Birtwistle – were played with immense authority, and as much stylistic confidence as these players would bring to Wagner or Strauss. Barenboim's return to Elgar, to works that he began conducting early in his career on the podium, when he recorded all of the major orchestral scores for the first time, seems to have been inspired by working with the Berlin orchestra. Much more than most of his British contemporaries, Elgar has always seemed a thoroughly European composer, whose stylistic roots delve so deeply into the Austro-German tradition, and hearing his music played by an orchestra at the very heart of that tradition reinforces those affiliations. READ THE FULL guardian ARTICLE
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A perfect cast of characters on - The Passion of Charlie Parker / Jazz Weekly review

Here is a great idea, with almost a perfect cast of characters. Producer Larry Klein celebrates the music and life of Charlie Parker by using the famed alto saxist's songs for vehicles of musical narration by an A team of singers. With Madeleine Peyroux doing a slow and simmering "Ornithology" as "Meet Charlie Parker," Gregory Porter slowing down "Yardbird Suite" to a soulful strut, Luciana Souza gently articulating "Bloomdido" via "Every Little Thing" and Kurt Elling waxing eloquence like a guide on a "Moose the Mooch'd" "Los Angeles," the recipe seems like a sure winner. READ THE FULL Jazz Weekly REVIEW
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Esther Yoo - Tchaikovsky is WFMT: Featured New Release

Coming off her BBC Proms debut at London's Royal Albert Hall last year, and following the success of her debut, Sibelius∙Glazunov Violin Concertos, which achieved Gold Status in South Korea, Esther Yoo releases her second Deutsche Grammophon album with Vladimir Ashkenazy and the Philharmonia Orchestra. The release features Tchaikovsky's beloved Violin Concerto alongside five shorter works from the Russian composer such as "Pas de Deux" and "Danse Russe" from Swan Lake, Sérénade mélancolique, Valse-Scherzo and "Mélodie" from Souvenir d'un lieu cher. Tchaikovsky: Swan Lake: Pas de deux; Russian Dance (9:53) from Esther Yoo, Philharmonia Orchestra / Vladimir Ashkenazy on Deutsche Grammophon is the WFMT: Chicago - Featured New Release for JULY 17, 2017. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial; min-height: 11.0px} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial}
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John Scofield - Uberjam Band lives up to it's reputation at Edinburgh Jazz Festival / Herald Scotland review

The masters lived up to their reputations in this fascinating and contrasting double bill at the Edinburgh Jazz Festival that featured two of the great guitarists of the past thirty-plus years in groups that matched, supported and nurtured their virtuosity. John Scofield and Mike Stern are linked by having played with Miles Davis, in the same edition of the trumpeter's band, but even before that they had established their own, very distinctive voices, a term that grew in significance as the concert wore on. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial; min-height: 11.0px} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial} span.Apple-tab-span {white-space:pre} In a group that set a determinedly relaxed pace Scofield pared his playing to the essence, crafting solos that were every bit as concerned with tonal exactness and variety as they were with perfection in note choices. Responding to the textures of rhythm guitarist Avi Bortnick's licks, flicks and samples, bassist Andy Hess's warm grooving and drummer Dennis Chambers' wonderfully understated expertise, this was to all intents and purposes blues singing of the highest order with a sunny side on the Caribbean-flavoured Dub Dub. Clearly defined, highly refined music with a sharp, spontaneous edge. READ THE FULL Herald Scotland REVIEW
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Hans Zimmer puts on grand showcase at Smart Financial Centre / Houston Chronicle - Houston Press

From Houston Chronicle - If Aphex Twin and Richard Wagner had a lovechild, it'd be a lot like the second act of "Hans Zimmer Live" - turbulent, primordial, mathematical. While the first half of the concert featuring one of the world's best known film score composers is fun but noisy and directionless, the two-hour finale that occurs after intermission is both a tribute to classical, electronic and rock history and a study in delayed gratification. "This is going to get weird," Zimmer told a quiet, attentive crowd at the Smart Financial Centre on Friday night during act two. "You'll make it through." p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial; min-height: 11.0px} Making it through might be Zimmer's words for yet-another night of his grand multimedia presentation featuring a full band, an orchestra and a choir. But sit near the stage where the lights shower down on you and you can feel the bass in your chest, and suddenly it's a gross understatement for what feels like entering into a wormhole from "Interstellar."   From Houston Press - Zimmer's entire band was on fire all night, and although the vocal mix was a bit rough from time to time, overall hearing the songs was enjoyable the same way that hearing songs a pop show is: music is so much heavier when it's not been processed to hell and back. There were moments in the show, especially during the songs he's done for the DC film universe, that felt heavier than anything I've seen from a rock band this year. That doom and gloom was balanced nicely with his piano-centric pieces, which it feels like Zimmer has a particular fondness for.   It was a night that made me hope that this could become a trend for film composers who would like a few more ovations in their life. Best of luck to anyone who wants to try: Hans Zimmer has set the bar pretty high.  PHOTO: Jason McElweenie READ THE FULL Houston Press READ THE FULL Houston Chronicle p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial}
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Spiderman: Homecoming soundtrack enters Classic fM chart at #1

Michael Giacchino's soundtrack for Spiderman: Homecoming has entered the Classic FM Chart straight at no. 1, pushing Einaudi's Islands down to no. 2. Carly Paoli is a non-mover this week at no. 3, while the soundtrack to Wonder Woman drops five places from no. 2 to no. 7. Ramin Djawadi's soundtrack to Game of Thrones: Season 6 continues to climb up the Classic FM Chart in anticipation of the new season starting tonight, and this evening the soundtrack climbs back just inside the top 10. The top 10 also features re-entries from Max Richter's Three Worlds: Music from Woolf Works at no. 6 and 40 Most Beautiful Arias at no. 10.  There is a further four new entries in the middle of the chart, including Poulenc with the Sixteen at no. 12, Elgar conducted by Daniel Barenboim at no. 14, Behind the Counter by Max Richter at no. 20 and Peter Gregson's One at no. 21. Meanwhile, there are three other re-entries, including The 40 Most Beautiful Classical Masterpieces at no. 13, plus Max Richter's soundtrack to season one of The Leftovers at no. 22 and his album Sleep at no. 26. This week's biggest faller is hotly contested between Kathleen Ferrier's Remembered which is down thirteen places, Love in Venice which drops twelve places and Craig Ogden's Summertime Deluxe falling eleven places, meanwhile for the second week in a row there isn't a stand out highest climber. SEE the Classic FM Chart
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Floating concert hall in danger of demolition / Curbed - New York Review of Books

One of the weirder projects in architect Louis Kahn's body of work may be facing an untimely end. The unique Point Counterpoint II, a 195-foot-long floating concert hall commissioned by the American Wind Symphony Orchestra, may dock for the last time in its present form. Without a new buyer, the concert hall may soon be torn off and turned into scrap at the end of the month, with the underlying barge turned into a simple vessel to move goods. Conductor Robert Austin Boudreau asked his friend Kahn to design the unique floating music hall in the ‘60s. The centerpiece of the double-hulled, self-propelled river showboat is the hydraulically-operated 25-foot-tall stage that opens up like a clam shell when the boat is docked and ready for a performance, and lowers after concerts so the vessel can slip under bridges. According to a recent letter in the New York Review of Books written by cellist Yo-Yo Ma, after five decades, Boudreau has decided he can't pay for upkeep anymore. Unless a buyer appears by the end of July, the boat will be broken down for scrap in a Louisiana shipyard. Ma calls the ship, "a powerful, living testament to American creativity and to the elemental role that culture plays in human life." READ THE FULL Curbed ARTICLE READ HYPERALLERGIC ARTICLE READ The Architect's Newspaper ARTICLE READ The Strad p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial; min-height: 11.0px}
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Daniel Barenboim conducts Lisa Batiashvili & Staatskapelle Berlin at the Proms / theguardian

Daniel Barenboim has become an annual visitor to the Proms. The orchestra that he conducts in Berlin appears regularly with him at the Albert Hall, too, and it's the Staatskapelle that dominates the first weekend of the new summer season with a pair of concerts in which Barenboim conducts the two Elgar symphonies. In the first of them, ( Royal Albert Hall, SW7, 15-16 July ) Symphony No 1 is prefaced by Sibelius's Violin Concerto, with Lisa Batiashvili as the soloist; while before the second symphony we get the UK premiere of Harrison Birtwistle's Deep Time, which Barenboim and his magnificent band performed for the first time last month. SEE THE FULL guardian PAGE p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial}
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IdeaStation WCVE: Richmond VA celebrates the Tour de France with Paris Combo

Like competition? Like biking? Well on this week's World Music Show (7/15) you get a mix of both, which is odd for a World Music Show, right? Well, let me explain…Seriously, there's no competition but this week's show does have a biking theme. Blame or thank the Tour de France, which is the epic bike race that takes place in numerous stages around the French countryside. Now, I love biking and each Tour, I keep trying to understand the Tour more and more (sorry, I'm just slow when it comes to digesting this event). But that's no reason we can't celebrate it with music from this beautiful country, right? So, we'll ride around the country to check out some really great French music from now to the past. Plus, we'll also hear music from other countries too-you know, to break up the stages.  Stage 1 through 4 (otherwise known as Hour One) features standout racers include Team Paris Combo, who have a new CD out called Tako Tasubo. This quartet takes the style of Django Reinhardt, French Chanson (lyric-driven music) and adds their own twist-namely catchy hooks and beats. The World Music Show hit the stages on Saturday form 8:00-10:00 p.m. on 88.9 WCVE Richmond Public Radio. Follow the race on Twitter @wcveworldmusic and on Facebook at the World Music Show on WCVE. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial; min-height: 11.0px}
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Top 10 Albums for July

Various :

The Passion of Charlie Parker

The Passion of Charlie Parker is a new album from producer Larry Klein that tells the story of Charlie Parker using his music as inspiration for new songs that narrate his life. Guest artists include Gregory Porter, Madeleine Peyroux, Kandace Springs, actor Jeffrey Wright, and more. The album will be available on impulse!/ Verve digitally on June 16, with physical release to follow on June 30. Larry Klein says, "With this album I've endeavored to do something new and different in an effort to illustrate who ‘Bird' was as an archetypal character, and to draw attention to the huge impact that his work had on Jazz." Rather than create another tribute of traditional bebop tunes, Klein partnered with lyricist David Baerwald to create a musical play that tells the story of Charlie Parker's life while still playing with the jagged melodic nature of Charlie Parker's compositions. 40 NEW  51 TOTAL SYND: PRI / Jazz Happening Now Markets include: New York, Los Angeles, San Francisco, Boston, Philadelphia, Cleveland, Portland, Minneapolis, Albuquerque, Knoxville, Madison WI, Tampa, OR(Statewide), WV(Statewide), VT(Statewide), KS(Statewide), INTER: Canada, UK Online: GreenArrow, Jazz & Blues Report, KUHS/Vaya,, Jazz Weekly 13 Jazzweek ADD's p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Helvetica}
Soundtracks :

Spider-Man Homecoming

Sony Music proudly announces the release of SPIDER-MAN: HOMECOMING (Original Motion Picture Soundtrack) featuring the music of Grammy® and Academy Award®-winning composer Michael Giacchino. The soundtrack will be released on July 7 and is available for pre-order here.    ABOUT SPIDER-MAN: HOMECOMING: A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain America: Civil War, begins to navigate his newfound identity as the web-slinging super hero in SPIDER-MAN: HOMECOMING.  Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey, Jr.). Peter tries to fall back into his normal daily routine – distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man – but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened. 11 NEW  39 TOTAL SYND: The Score, Sixty Second CD, CLASSICfM Direct: SiriusXM, Stingray, AccuRadio Markets include: New York, Los Angeles, Cleveland, Seattle, Houston, Portland, Detroit, Minneapolis, New Orleans, Long Island NY, Berekeley CA, San Antonio, AL(Statewide) INTER: Canada, UK Online: GURU, The Verge, Planet S, SCREEN RANT, The Atlantic, The Eclectic Chair, Humboldt 101  p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial}
Diana Krall :

Turn Up The Quiet

The multiple GRAMMY® Award-winning jazz pianist and world-renowned singer Diana Krall's highly anticipated new album Turn Up the Quiet will be released on May 5th by Verve Records. The first words Diana sings are, "Lately, I find myself out gazing at stars". Minutes later, the same voice asks, "Isn't It Romantic'", with such tenderness that it is hard to disagree. "I have thought about these songs for a long time. Being in the company of some of my greatest friends in music allowed me to tell these stories just as I'd intended. Sometimes you just have to turn up the quiet to be heard a little better." 8 NEW  265 TOTAL SYND: NPR/TTBOOK, CBC, All Jazz Radio, Jazz Radio Berlin,Jazz Radio BCN Direct: SiriusXM Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Atlanta, Cleveland, Miami, Seattle, Portland, New Orleans, Denver, Detroit, Austin, San Diego, Minneapolis, St. Louis, Baltimore, Milwaukee, Memphis, Sacramento, Orlando, San Antonio, Long Island NY, Berkeley CA, Las Vegas, Albuquerque, Memphis, San Antonio, Louisville, Knoxville, Madison WI, Hartford CT., Boulder CO, Long Island NY, Sata Fe, Wichita, Reno, Omaha, Tampa, Honolulu, OR(Statewide), KS(Statewide), WV(Statewide), SD(Statewide), VT(Statewide), WI(Statewide), Toronto, Vancouver, Berlin, Barcelona INTER: Canada, Spain, Germany, Slovenia, South Africa, New Zealand Online: Jazz From Gallery 41, MOJA, all music, billboard, T&C, Downbeat, salt peanuts, People Magazine, Straightnochaser, bebop spoken here,,, Urban Cinefile, Green Arrow Radio,, Jazz Views, The Jazz Breakfast, Quisqueya FM,, Psychedelic Baby Magazine, Jazz Radio BCN, Vintage Vinyl News,, Woman's World,, Guru, Radio Valencia, Phase Global Radio, Jazz Weekly, Jazz Spotlight On Sinatra, Radio Free Amsterdam, Jazz & Blues Report, jazz From Gallery 41, CT Now 62 JazzWeek ADD's p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial; min-height: 11.0px}
Miles Mosley :


Mosley's debut solo album UPRISING features his genre-defying and otherworldly core six-piece band The West Coast Get Down collective, and is available on Verve digitally NOW. The album will be available on CD on May 19th and on vinyl July 14th. Released on April 7th UPRISING has garnered praise from critics and fans alike. Entertainment Weekly called UPRISINGone of "13 new releases you need to hear now," while the first single "Abraham" was named one of NPR's ‘Top 100 songs of 2016." Having debuted at #4 on Billboard's Contemporary Jazz Chart and also reaching #2 on the iTunes Jazz Album Chart, UPRISING showcases the dynamic range of genres and expression that encapsulates Mosley's magnetic force that defies categorization. 7 NEW  100 TOTAL SYND: UnderCurrents, CBC Markets Include; New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Detroit, St. Louis, Detroit, Minneapolis, New Orleans, Austin, Albuquerque, Berkeley CA, Sacramento, Knoxville TN, Madison WI, Omaha, Boise, Reno, Honolulu, Vancouver, ME(Statewide), VT(Statewide) INTER: Canada, UK, Italy, Germany Online: GreenArrow, anima Jazz,, Jazz From Gallery 41, Jazz Times, Jazz Weekly, B&S, Paste, JamSphere, IMDb, Monsters and Critics, SoulandJazzandFunk, Roots Music Report, udiscovermusic, Artist Direct/Interviews, audioBoom,, Morning Star Online, LondonJazzNews p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial} p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial} p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial} 20 JazzWeek ADD's
The Sons Of The Soul Revivers :

LIVE! at Rancho Nicasio

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial} Vallejo, CA's own gospel sensations The Sons Of The Soul Revivers release an inspired album, LIVE! Rancho Nicasio, showcasing the band at its best in a Marin County roadhouse famed for presenting the best Bay Area roots music.  The Sons Of The Soul Reviversis led by Walter Morgan Jr., and his two brothers Dwayne and James Morgan. Formed in the 1970s to continue the vocal quartet tradition that the brothers' father, Walter Sr., and his brothers started with the original Soul Revivers in the 1960s, The Sons Of The Soul Revivers have over the decades performed with a "who's who" of gospel music, including Shirley Caesar, The Mighty Clouds of Joy, The Rance Allen Group, The Pure Room Jubblies, The Soul Stirrers, and their all-time favorite group, The Fantastic Violinaires. The group initially came to national prominence with the release of their debut album, It Should Have Been Me.  7 NEW  22 TOTAL Markets include: Boston, Philadelphia, Atlanta, Minneapolis, Houston, Kansas City, Austin, Berkeley CA, Santa Rosa CA, Bozeman MT, West Hartford CT, Amherst MA, Traverse City MI, Stevens Point WI, Canada
Avi Avital | Omer Avital :

Avital Meets Avital

Two superb musicians of international stature – classically trained mandolin player Avi Avital and jazz bassist Omer Avital – have combined their creative energy and set out in search of their cultural roots on Avital Meets Avital, set for release on June 2 on Deutsche Grammophon. Avi Avital and Omer Avital share no blood relation, though their musical careers have intersected and ultimately were rooted in the same place. Both musicians have parents of Moroccan descent who immigrated to Israel in the 1960s and both went to conservatory, one for jazz, one for classical. This shared heritage, and their divergent musical paths in the conservatory is the story of Avital Meets Avital. 8 NEW  70 TOTAL SYND: Classical 24, CBC Direct: MOOD, AccuRadio  Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Cleveland, Houston, Detroit, St. Louis, Minneapolis, Portland, Cincinnati, Albuquerque, Louisville, Hartford, Santa Fe, Buffalo, MN(Statewide), AL(Statewide), MI(Statewide), SC(Statewide),   Barcelona, Sydney INTER: Canada, Spain, Australia Online: Global Roots and Cultur,, Demesenlla, SoundsLikeSydney, The Tiki Lounge Remix p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial} p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial}
Danny Elfman :

Rabbit & Rogue

Sony Classical announces the release of Rabbit & Rogue. This Limited Deluxe Edition offers a variety of insights to the production of his first ballet score, including a bonus DVD with an exclusive interview with Danny Elfman. The composer commented - "The creation of this ballet score was done hand in hand with a remarkable woman, Twyla Tharp. Every note, every beat. She encouraged me, challenged me, cajoled me, and even fed me. It was one of the best times I have ever had working. For her trust in me I will be forever grateful. I dedicate this recording to her." Rabbit & Rogue is Danny Elfman's first ballet score, which he created for Twyla Tharps' choreography for the American Ballet Theater. By all accounts, Elfman wrote a score that wears his admiration for the Russian ballet masters, such as Stravinsky and Prokofiev, proudly on its sleeve. 16 NEW  66 TOTAL SYND: Classical 24, TRH, CBC Direct: SiriusXM, MOOD, AccuRadio  Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Cleveland, Portland, Dallas, Houston, Detroit, Minneapolis, New Orleans, Austin, Columbus OH, MN(Statewide), OR(Statewide), SC(Statewide), NE(Statewide), IN(Statewide), AL(Statewide), Canada Online: EMPIRE, THE REEL WORLD, Nerdist, Film Independent,, Troonradio, Passion Musique et Culture   p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial}
Olafur Arnalds :

Broadchurch - The Final Chapter

While avid US fans await the return of Broadchurch to BBC America this year, they can get a taste of the "bona fide national obsession" (Entertainment Weekly) in BAFTA-winning composer Ólafur Arnalds' brand new soundtrack for the third and final season, Broadchurch: The Final Chapter. His atmospheric music sets the scene for the third and final series of the hit ITV drama, starring David Tennant and Olivia Coleman.  16 TOTAL SYND: CBC Markets include: Berkeley, Orlando, Albuquerque, Knoxville TN, Pensacola FL, Abilene, Beaumont TX Fairbanks, Girdwood AK INTER: Canada, UK, Spain Online: Musicas Imaginadas, Zephyr Planet Radio Network, Soundtrack Dreams, Lost Frontier, One World Music  
#Bloomerangs :


p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Helvetica} Big Rounds Records presents HORIZON SUNSET, the debut record from international music collective #Bloomerangs. The group's 22 participating musicians – hailing from the United States, Uruguay, Argentina and Spain– all blend their musical backgrounds on the album, which composer and producer Rodrigo Cotelo described as an "ode to endings that lead to new beginnings" to further expand #Bloomerangs vision of "integrating different cultures and sounds as an expression vehicle to a common universal language through music."  13 NEW  59 TOTAL SYND: All Jazz Radio, ABC - Australia Markets include: Boston, Atlanta, Houston, Portland, Minneapolis, Milwaukee, New Orleans, San Antonio, Berkeley CA, Long Island NY, Madison WI, Omaha, Hartford CT, Tampa, Honolulu, Vancouver, ME(Statewide), VT(Statewide), WV(Statewide), MS(Statewide) INTER: Canada, Spain, Germany, Italy, Australia, South Africa Online: MOJA, Jazz From Gallery 41, GreenArrow, Mundofonias 9 JazzWeek ADD's
Yo-Yo Ma :

Yo-Yo Ma plays Bach

CBS/Sony Classical has been accompanying superstar cellist Yo-Yo Ma for decades on his journey through the unsurpassed works written for his instrument by Johann Sebastian Bach. The label is now pleased to announce the release of important landmarks from that journey, Yo-Yo Ma Plays Bach, on a single CD. Ma's first recording of Bach's six Solo Suites, which went on to win the Grammy' for "Best Classical Instrumental Performance" and is represented here by the Sarabande from the Sixth Suite, took place in 1982. In the same year, Yo-Yo Ma recorded Bach's complete sonatas for viola da gamba with harpsichordist Kenneth Cooper which was hailed by Gramophone as "intelligent and expressive." 24 NEW  53 TOTAL SYND: Classical 24, CBC Direct: SiriusXM, MOOD, AccuRadio  Markets include: New York, Los Angeles, Chicago, San Francisco, Boston, Philadelphia, Wash DC, Seattle, Cleveland, Dallas, Houston, Minneapolis, Portland, New Orleans, Pittsburgh, Baltimore, Cincinnati, Austin, Denver, Memphis, AL(Statewide), NE(Statewide), MN(Statewide), MI(Statewide) INTER: Canada, UK Online: Bradenton Herald, BroadwayWorld p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.0px Arial}